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I did feel that they were spiritually linked in some way. Emma: Being hangry, being cold, air conditioning Dan: That’s a big thing of yours, isn’t it? Dan: I was talking to a friend of mine who had come down while we were shooting, and one of the things we really looked at with Beast was what led him to become a beast, what made him that awful young man who behaved in the way he did. If you have young kids, or brothers and sisters or nieces and nephews – if you’ve witnessed a toddler tantrum, you’ve witnessed beastly human behaviour.You sort of trace it back and look through the eyes of someone like Mrs Potts, who knew him since he was a little kid and he was basically a pampered toddler. It’s kind of visceral animal, it’s completely irrational.Beast is kind of a metaphor for anyone who isn’t like us.Who doesn’t look like us and people we decide to be afraid because we don’t feel that we understand them.Fans of the 1991 Oscar-nominated animation were skeptical about whether Disney would be able to pull this off, especially because the original is loved.

Emma: There’s a scene at the end where Gaston is rallying the townspeople, and he’s really kind of fear mongering.I think the contrast of those two things is what really makes the story play.Emma: I think that would be fair to say [they’re both bookish].The bottom half of it is incredibly light, because what I loved so much about the original is when you see Belle dance with Beast, when she twirls her dress kind of moves after her almost like a second being, like there’s a third person in the dance.So I wanted to have that “floating on a cloud” kind of quality.

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